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Deutschsprachige Veröffentlichungen
Azdak Heiner Müller
Bad Boy Foremans Wahlverwandtschaft
Bjørn Melhus: Live Action Hero
Die Debatte ist eröffnet
Die vielen Gesichter Obamas
Es reicht für alle. Alaska weiß das. Namibia auch.
Frischer Wind für William Hurt
Ganz glokal
Jack Smith als antikapitalistischer Gegenpol zu Warhol
Jenseits der Spielregeln
Meistens ist es ja leider tot.
Pulsmesser: Neues von der Berliner Kunst
Pulsmesser: Neues von der Berliner Kunst
Revolte auf Côte 3018 – Die Bergbahn
Rezension: Eléonore de Montesquiou: Vabrik
Stilfragen des Pathos
Suspekte Urinstinkte
Essays
Berlin’s Holy of Holies
Cool Medium: Anne Bogart and the Choreography of Fear
Critical Eye: Quipping Boy
Performing Space and History: Theater der Welt ’96
Sexual Perversity in Viragos
The Burden of Irony, the Onus of Cool: The Wooster Group’s Influence on Cannon Company and Richard Maxwell
Interview with Salar Abdoh, Part I.
The Critical Eye: Falling Standard
The Critical Eye: Interpret This
Features
Betasunk? D.C.’s Eco-Artists Struggle in an Urban Jungle
Building Museums to Mark the Places They Left Behind
In the Driver’s Seat
Learning the ABCs of ETFs
On the Hunt for the Elusive Ticket
On the Program This Fall (2006 Feature on European Theater Festivals)
Interviews
“I don’t have a vision. I have values.” An Interview with Anne Bogart.
Backstage: Jörn Merkert of the Berlinische Galerie
Searching for the Next Generation: Frie Leysen & the KunstenFESTIVAL
The Hydras of Style and Irony: An Interview with Richard Maxwell
Reviews
Reviews_Books
A Critic Fawns
From Russia with Love
Just How Dead Is the Avant-Garde?
Making Mischief of the Holocaust
Running in Place
Reviews_Theater
A Roaring Bore.
All Thumbs: Henry Fielding’s Tom Thumb, Fried and with Lots of Butter
Athey Lebt!
Athey Lives!
Azdak Heiner Müller (English Version)
Brecht’s Mother Haggles and Battles Her Way into the Future
Joanna Chan Battles Empire of the Son Policy
Life Be Not Proud
Love American Style
Lust’s Labors Lost
Nevermind the Dianetics, Here’s the Kiddie Scientologists
Road to Morocco
Sightlines: Odyssey – The Homecoming
Stilfragen des Pathos (English Version)
The Elective Affinities of Bad Boy Foreman
Reviews_Visual Arts
This Week’s Top Picks: Berlin (26 Aug. 2005)
This Week’s Top Picks: Berlin (Feb. 11-13, 2005)
This Week’s Top Picks: Berlin (June 24-26, 2005)
Writing in the Sky: Jenny Holzer’s Installation at the Neue Nationalgalerie
Reza Abdoh
An Unaesthetic Disease
Bibliography
Chronology
Creating Out of Death: An Introduction to the Work of Reza Abdoh.
Interview with a Vampire
Interview with Assurbanipal Babilla.
Interview with Diane White
Interview with Dokhi Mirmirani
Interview with Homa Abdoh
Interview with Juliana Francis, Tom Pearl, and Tony Torn
Interview with Ken Roht.
Interview with Meg Kruszewska
Interview with Reza Abdoh: 14 January 1995
Interview with Salar Abdoh, Part II.
Interview with Tom Fitzpatrick
Interview with Tony Charles.
Notes on a Life Imagined and Lived
Quotations from a Ruined City and the Ends of Reza Abdoh
Same Vision, Different Form: Abdoh’s The Blind Owl
The Trilogy
Tight Right White
What do Ta’ziyeh and Hip-Hop Have in Common?
Translations, etc.
“None of It”: A Radiohole Production, NYC 2002.
A Victory for Architecture
Constance
Doktor Caligari at the Deutsches Theater, directed by Robert Wilson
Faces in Transit
Haider in their Hearts
Lovesick, Music Theater by Sommer Ulrickson und Moritz Gagern
Portraits / Headshots from Events and Press Conferences
The 2001 NPD/Neo-Nazi Demonstration Against the Wehrmacht Exhibition
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Archive for March, 2009
Writer, Translator, Editor. on
March 5, 2009
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