Daniel Mufson

A Home Page

Essays

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  • The Burden of Irony, the Onus of Cool: The Wooster Group’s Influence on Cannon Company and Richard Maxwell.” Originally published in The Wooster Group and its Traditions. Ed. Johan Callens. P.I.E. Peter Lang, 2004.
  • Berlin’s Holy of Holies. (On the 1996 Theatertreffen.) From PAJ 85, Vol 25, No. 1 (Jan. 2007), pp. 53-64.
  • Performing Space and History: Theater der Welt ’96. From Theater, Vol. 27, Nos. 2 & 3 (double issue), pp. 147-154.
  • Cool Medium: Anne Bogart and the Choreography of Fear.” (Discusses the “Viewpoints” approach and performances of The Adding MachineThe Medium and Small Lives/Big Dreams at a celebration of Bogart’s work at Actors Theatre of Louisville.) From Theater, Vol. 25, No. 3, pp. 55-59.
  • “The Critical Eye: Falling Standard.” (On the use of “Standard Speech” in American actor training.) From Theater, Vol. 25, No. 1 (Spring/Summer 1994), pp. 78-81.
  • “The Critical Eye: Interpret This.” (On dramaturgy, the interpretive work of directors and dramaturgs.) From Theater, Vol. 24, No. 3, pp. 116-119.
  • “The Critical Eye: Quipping Boy.” (On the critical response to Paul Rudnick’s Jeffrey.) From Theater, Vol. 24, No. 2, pp. 116-119.
  • “The Critical Eye: Sexual Perversity in Viragos.” (On the critical reception of David Mamet’s Oleanna.)From Theater, Issue 1, 1993.

More to come.

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